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| poiesis, so called improvisations through early 2012: part of Cycle 1 |
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august 2009 |
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| yea, dance of life | ||
| a note about Merce Cunningham |
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| september 2009 | ||
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| a persistence of Romanticism | ||
| after a movie, from urban kitsch to an artistic young woman to die for | ||
| november 2010 | ||
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| a portrait of Edith | ||
| a woman of means strives to bridge gifted creativity and evolutionary potential |
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| february 2010 | ||
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| a creative lamentation | ||
| on pleasures of askewed fruitfulness |
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| august 2009 | ||
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| a narrative condition | ||
| preface to a vineland on existing through text. |
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| april 2012 | ||
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| AEros | ||
| Psychic highs evinced by intense appeals are potentially more than intoxicating. |
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| september 2009 | ||
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| vivacity | ||
| Jennifer and I on artistic bearing |
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| september 2009 | ||
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| “...work of art, etc.” | ||
| The working isn’t about “art.” |
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| june 2007 | ||
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| flows in living well by design | ||
| holism is a way of living, more than a state of mind. [This has moved to the gedavis.com site.] | ||
| august 2009 | ||
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| tropical living as conceptual recreation | ||
| What art the good of our species? I quest and play to find out. |
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| january 2010 | ||
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| poiesis | ||
| as a legacy of bringing insightful novelty into expression |
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| january 2011 | ||
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| landscaping notes: 2010 | ||
| project-ive prospecting as bibliophilia |
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| january 2011 | ||
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| creative fidelity | ||
| wandering toward intimately empathic time |
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| april 2011 | ||
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| indwelling | ||
| Being in the world contains the mind appreciating itself as being in the world (containing a conception of its conceiving). |
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